Noone ever talks about waning Poetic.
The moon
he waxes and wanes and noone
not anyone
gives it a second thought.
And who is more poetic than he?
for the poet,
waning poetic would
lend itself to the syllabic equivalent
of beating a dead horse.
The muse demands her lover wax poetic;
she entices,
the way she wears her hair in
sullen, crisp moonlight
(tonight that moon is waning, nonetheless, but I digress)
she never opens herself up to
any sort of fading or fleeting lyrical nonsense,
because the muse, let’s be honest,
is just drawn that way.
Muses love and leave but
in the getaway the
wordsmith usually finds themself
hungover or
worse
hung.
over.
with no time to outline her escape.
and so they tend to
wax on and wax off and
wax away…
growing ever into deeper brushstrokes
that tint her emotion in vivid colors that
leave no doubt in the mind of you, dear reader
as to where his heart will land
meanwhile, the growth ends;
the words come to a screeching halt,
at some unknown given point where
he believes, if just for a moment,
he has caught her grace in a web of words and
she will smile profusely when next she calls his name.
The ending is the thing,
its waning is the climax:
the halt of this
process in its ultimate and
un(timely)
finish when the words wink:
one final stanza nudging the reader and
the poet
and the muse-
assuming all of them
are in on it
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